In the spring of 1980, Van Halen released their third studio album, Women and Children First, marking a pivotal moment in their evolution from Pasadena party band to global rock titans. Released on March 26, 1980, this album showcased a heavier, more aggressive sound, solidifying their status as hard rock pioneers.
A Departure into Heavier Territory
Following the upbeat vibes of their sophomore effort, Van Halen II, the band took a darker, more intense approach with Women and Children First. The opening track, “And the Cradle Will Rock…”, immediately sets this tone. Featuring Eddie Van Halen’s innovative use of a Wurlitzer electric piano fed through a Marshall amplifier and flanger, the song delivers a lurching tempo and ominous atmosphere that underscores David Lee Roth’s narrative of rebellious youth. This track not only introduced keyboards into Van Halen’s repertoire but also demonstrated their willingness to push musical boundaries.
Iconic Tracks and Musical Experimentation
The album’s second track, “Everybody Wants Some!!,” became a fan favorite with its tribal drum intro and Roth’s charismatic vocal improvisations. The song’s primal energy and catchy chorus made it a staple in their live performances, embodying the band’s raw power and stage presence.
Another notable track, “Could This Be Magic?”, features a rare collaboration with singer Nicolette Larson, adding a unique vocal harmony to the band’s sound. This song stands out with its acoustic blues vibe, showcasing Van Halen’s versatility and willingness to explore different musical styles.
Visuals and Controversy: The Helmut Newton Collaboration
Beyond the music, Women and Children First is remembered for its provocative imagery. David Lee Roth enlisted renowned photographer Helmut Newton for a photoshoot that resulted in a controversial poster included with the album’s initial release. The black-and-white image of a shirtless Roth, bound in chains, was a bold statement that stirred both intrigue and debate among fans and critics alike. Roth later remarked, “That poster made it to more ceilings than paint,” highlighting its widespread impact.
Commercial Success Amidst Critical Division
Despite mixed reviews from critics, with some questioning the band’s artistic direction, Women and Children First resonated with the public. The album quickly ascended the charts, peaking at number six on the Billboard 200 and achieving platinum status within ten weeks. This commercial success underscored Van Halen’s growing influence in the rock scene and their ability to connect with a broad audience.
Studio Dynamics and Creative Tensions
The recording process for Women and Children First was marked by a blend of spontaneity and tension. Eddie Van Halen emphasized the band’s commitment to capturing raw energy, stating, “We finished the music in six days, and the whole album took eight. I don’t understand how people can take any longer.” This rapid production schedule reflected their desire to preserve the immediacy of their live performances.
However, not all creative decisions were harmonious. Roth’s initiative to collaborate with Helmut Newton caused friction within the band, particularly with Eddie and drummer Alex Van Halen. The resulting images, while artistically significant, highlighted underlying tensions regarding the band’s image and direction.
Legacy and Influence
Women and Children First marked a significant transition for Van Halen, both musically and culturally. The album’s heavier sound and experimental tracks paved the way for future explorations in hard rock and metal. Songs like “And the Cradle Will Rock…” and “Everybody Wants Some!!” have endured as classics, continuing to inspire new generations of musicians and fans.
Reflecting on the album’s impact, it’s evident that Women and Children First was more than just a collection of songs; it was a statement of artistic growth and a testament to Van Halen’s willingness to evolve and challenge expectations. As Roth aptly put it, “On the first album, we went to the edge and we looked down. On the second album, we didn’t discuss the matter, and on the third album, Van Halen jumped over.”
Forty-five years after its release, Women and Children First remains a landmark in Van Halen’s discography. Its blend of hard-hitting riffs, innovative techniques, and bold imagery captures a band at a crossroads, embracing change and setting the stage for decades of musical influence. For fans and newcomers alike, revisiting this album offers a glimpse into the raw energy and creativity that propelled Van Halen into rock and roll history.
